Opera is littered with competing editions and unclear authorial intentions. Flying under the radar is the less momentous but still significant milestone that followed on Tuesday, when the company finally performed the original 1869 version of Mussorgsky’s “Boris Godunov.” You may have heard about the widely publicized landmark with which the Metropolitan Opera opened its season on Monday: Terence Blanchard’s “ Fire Shut Up in My Bones,” its first work by a Black composer.
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